Tinnitus disorder and musical auditory training: a double-blind randomized controlled clinical trial.
Christine Grellmann Schumacher, Katya Guglielmi Marcondes Freire, Denis Altieri de Oliveira Moraes and 2 others
PMID 42307286WHAT IT FOUND
Eight sessions of musical auditory training over four weeks reduced how much tinnitus bothered people more than listening to music with films did, but perceived loudness did not differ between groups and only the P3 wave changed on evoked potentials.
Twenty adults, single centre.
Key findings
01Both groups improved after treatment, but the musical training group improved more on tinnitus discomfort and on the handicap it caused: after treatment the groups differed on discomfort (p = 0.012) and on Tinnitus Handicap Inventory score (p = 0.002), both favouring musical training.
02Perceived loudness of the tinnitus did not differ between the groups after treatment (p = 0.107), even though loudness scores fell from before to after within each group.
03The evoked potentials showed no significant change in waves P1, N1, P2 or N2; the P3 wave changed in both groups, with a significant change in P3 amplitude only in the training group.
04No adverse events were reported and there were no dropouts or missing data.
STILL TO COME
How it was doneWhat they foundWhat it means for SLPs
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What it does not show
Only 20 people took part, 10 per group, in one university clinic. The sample size calculation aimed at 75% power, below the 80% usually expected, and the authors say a larger sample would be needed to see effects on the other evoked potential components. The intervention lasted four weeks and there was no long-term follow-up, so nothing here shows whether any benefit lasts. The authors say a longer programme might give better results. The control group also improved substantially on both questionnaires. The authors attribute this to the welcoming contact with researchers and to expectation of benefit, so the extra improvement in the training group cannot be separated from the non-specific effects of taking part in either programme. The paper contradicts itself about the control group's evoked potentials: the results section reports a significant change in P3 duration in the control group, while the conclusion states that passive intervention changed the amplitude of P3 only. Exclusions were frequent: of 70 volunteers, 10 were excluded for high anxiety and depression scores, nine for hearing loss greater than mild, seven for psychiatric or neurological disease, seven for middle ear problems, five for somatosensory or vascular modulation, four for low discomfort scores and eight for age. These results therefore apply to a narrow group of adults.
Declared interests
The authors declare no financial support and nothing to declare. The musical training protocol used here was developed by a different research group and is published online; the authors state that access to the full protocol and to the session response data was authorised by the responsible author.
The easy way to misread this
Do not read the questionnaire improvements as proof that the musical training was the active ingredient. The control group, who listened to music while watching silent films with a researcher present, also improved substantially, and the authors themselves say this may reflect the welcoming contact and the expectation of benefit rather than the training. Do not present the P3 changes as established evidence of neuroplasticity either: this was 20 people in one clinic.
Summarised by AI from the full paper, without a clinician reviewing it. Check it against the source before it changes what you do. Read it on PubMed →